More than 50 years after the original inauguration of Mathematica, the first show organized by the Eames Office, visitors continue to relish its beauty and multilayered exploration of how mathematics shape our world.
The exhibition is still more engaging and accessible than many of its modern-day counterparts. After it reopened in New York in 2004, Edward Rothstein explained in The New York Times that Mathematica “still exudes confidence. It invites attention not by promising participatory sensation but by offering beauty and elegance. It spurs curiosity not by aiming for simplicity but by offering hints of complexity.”
The book, An Eames Primer, explains that Mathematica “had its own standards and they were quite high. . . . In the words of Charles Eames, ‘It should be of interest to a bright student and not embarrass the most knowledgeable.’ In particular, the Eameses were fascinated by an observation that they heard early on in their research: though most people think of mathematics as being about numbers, the world of numbers actually represents just about one percent of the world of mathematics. Mathematica: A World of Numbers . . . and Beyond makes that idea extremely vivid to the visitor.
“As the first major exhibit of the new wing of the California Museum of Science and Industry, it was an ambitious goal. . . . Though Mathematica’s initial run was open-ended, it is fair to say that no one expected that 1961’s opening exhibition would be so popular that it would stay in place for almost 37 years. In fact, Mathematica outlasted the building itself. Since the building was closed (and then demolished) in 1998, the exhibition has traveled.”