Enclosed by Images: Eames Multi-media Architecture

Posted March 12, 2009

 2009

Enclosed by Images: The Eames Multi-Media Architecture.

By Beatriz Colomina ENCLOSEDBYIMAGESfeatured-1

Professor, History and Theory

Director of Graduate Studies, Ph.D. Program

Director, Program in Media and Modernity

Titulo de Arquitecto, Ph.D., Escola Técnica Superior de Arquitectura de Barcelona

 You can download the essay here.

BEATRIZ_COLOMINA-ENCLOSED-BY-IMAGES-THE-EAMES-MULTIMEDIA-ARCHITECTURE

An excerpt:

“We are surrounded today, everywhere, all the time, by arrays of multiple, simultaneous images. The idea of a single image commanding our attention has faded away. It seems as if we need to be distracted in order to concentrate. As if we – all of us living in this new kind of space, the space of information – could be diagnosed en masse with Attention Deficit Disorder. The state of distraction in the metropolis, described so eloquently by Walter Benjamin early in the twentieth century, seems to have been replaced by a new form of distraction, which is to say a new form of attention. Rather than wandering cinematically through the city, we now look in one direction and see many juxtaposed moving images, more than we can possibly synthesize or reduce to a single impression. We sit in front of our computers staring with a fixed gaze at many simultaneously ›open‹ windows through which different kinds of information stream towards us. We hardly even notice it. It seems natural, as if we were simply breathing in the information.”

Beatriz Colomina is an internationally renowned architectural historian and theorist who has written extensively on questions of architecture and media. Ms. Colomina has taught in the School since 1988, and is the Founding Director of the Program in Media and Modernity at Princeton University, a graduate program that promotes the interdisciplinary study of forms of culture that came to prominence during the last century and looks at the interplay between culture and technology. In 2006-2007 she curated, with a group of Princeton Ph.D. students, the exhibition “Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X” at the Storefront for Art and Architecture in New York and the Canadian Centre for Architecture (CCA) in Montreal. The exhibition continues to travel around the world, most recently in the Museum of Design of Barcelona and the Colegio de Arquitectos de Murcia. It will open at the NAI Maastricht in June, and then travel to Santiago de Chile and Montevideo. Over 100 reviews and articles on the exhibition have been published worldwide. An exhibition catalog is forthcoming from ACTAR in September.

Her books include Privacy and Publicity: Modern Architecture as Mass Media (Cambridge: The MIT Press, 1994), which was awarded the 1995 International Book Award by the American Institute of Architects, has already been translated into many languages and is coming out in Spanish and in Turkish. In addition, Ms. Colomina has published Sexuality and Space (New York: Princeton Architectural Press, 1992), which was awarded the 1993 International Book Award by the American Institute of Architects; and Architectureproduction (New York: Princeton Architectural Press, 1988). She has contributed to many volumes, including The Banham Lectures, Philip Johnson: The Constancy of Change, Beyond Transparency and catalogues of the work of Dan Graham, Muntadas and SANAA, among others. In addition she has published Cold War Hot Houses: Inventing Postwar Culture from Cockpit to Playboy, co-edited with AnnMarie Brennan and Jeannie Kim (New York: Princeton Architectural Press, 2004; Doble exposición: Arquitectura a través del arte (Double Exposure: Architecture through Art) (Madrid: Akal, 2006), and Domesticity at War (Barcelona: ACTAR and MIT Press, 2007). She was selected to be a Juror for the 2010 Venice Biennale and a juror in the architectural competition for the new headquarters of CAF (Corporación Andina de Fomento), in Caracas, Venezuela. She presented “Women in Architecture,” a keynote lecture in the conference Female Forces, 100 year anniversary, at the Royal Academy Copenhagen. In addition to being the Editor of the Multimedia Section of the JSAH (Journal of the Society of Architectural Historians) she has written numerous other publications and presented lectures throughout the world, including at MoMA, the MAXXI museum in Rome, the Guggenheim museum, DoCoMoMo in Rio de Janeiro, Brasilia, Chandigarh, Osaka, Tokyo, Florence, Oslo, Thesaloniki, Patras, Guadalajara, Berlin, Frankfurt, Cologne, Ohio, Pamplona, Porto, Toronto, Houston, Texas AM, Yale, Chicago and Harvard University.